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Keith Terry

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This August, five groups of Teen Reviewers and Critics (TRaC) ventured out into New York City to take in some culture.  After attending a Thursday performance, everyone wrote reviews, then reconvened the following Tuesday for a discussion and workshop.  Our work is published here in the first of a five part series featuring writing from the Summer TRaC!

Summer TRaC Session 3 (A and B) attended the 3rd International Body Music Festival, presented as a part of Lincoln Center Out-of-Doors. Check out the excerpts and full reviews below….

“Seeing the International Body Music Festival was [not a] “must see while you’re in town”  [… but] it’s nice to hear music coming from our selves alone, and not just with the assistance of instruments or objects or high-tech sound systems.” – Samantha Karp

Read SAMANTHA’s full review.

“At first, I thought that the throat singers were very weird, but I got used to them after they started sounding like many instruments using only their throats.” – Chloe Silversmith

Read CHLOE’s full review.

“Sharing one microphone, they stood merely inches apart, noses touching, and turned oddly-pitched guttural grunting into strangely beautiful melodies that left me both intrigued and somewhat disturbed; though the act was described as a popular game, it seemed so incredibly intimate that it made me feel almost uncomfortable to watch.” – Dakota Blackman

Read DAKOTA’s full review.

“[…] SLAMMIN All-Body Band […] combined simple, everyday movements, a stomp of the foot, a slap of the knee, a hand clap, and put them into such a sequence that music was created.  The Band had fun and it spread to the audience […]“ – Maeve Kerr

Read MAEVE’s full review.

“The only way to describe what they did is “Step-Up” meets doo-wop meets college a capella meets soul.” – Abby Barr

Read ABBY’s full review.

“[…] their attempt to do dance theater with a slapstick routine (“Tea For Two”) wasn’t great and […] my [8-year-old] brother and [6-year-old] sister would be better suited for this.” – Genevieve Shorter

Read GENEVIEVE’s full review.

“Many of [Barbatuques’] songs had a “quirky mystic” quality: there was lots of animal hooting, bubbly cheek clapping and finger snapping that frequently transitioned into darker and heavier body playing, stomping and clapping.” – Hyemin Yi

Read HYEMIN’s full review.

“These engaging performers get the audience involved […] Their first half hour on stage proved just how slammin-good they were but after that, it seemed to drag on, making the audience lose focus.” – Julian Aldana-Tejada

Read JULIAN’s full review.

“[…] no rhythm instruments were allowed due to fear [...] This makes me want to start to cry […] we people used our body to make sounds and movement, and then in the future its created into something big and famous.” – Jazzlynn Bennett

Read JAZZLYNN’s full review.

“However, in an attempt to fill the two and a half hours allotted for nighttime shows, the performances were stretched beyond the limits of the audience’s attention span. […] When eccentric audience members become more interesting than the main event, the show should not go on.” – Mollie Forman

Read MOLLIE’s full review.

“You could say it was an a capella line-up of outrageous individuals, recreating the primitive music of our ancestors. […] Some music always needs to be performed live to be heard.” – Carol Szwei

Read CAROL’s full review.

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Step Team

by Samantha Karp on August 19, 2010

in Dance,Music,Teen Reviews,TRaC

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As I stepped up to the Lincoln Center Fountain for the International Body Music Festival, the first signs of performance art I witnessed were similar to what you may see in the streets of China town in New York or San Francisco.  A group of five danced around with a big lion, clanging cymbals, and waving bright orange pieces of fabric.  This “Lion Dance” wasn’t anything new or original; nothing I hadn’t seen before.  The group moved from near the fountain over to the outdoor stage where we were to set our attention for the main attraction.

For the first approximately 17 minutes of the concert itself, two women, seemingly very close (turns out they were cousins), stood in the middle of the stage, holding each other, and sharing one microphone.  They were “throat singing”, which they described to us (the audience) as “competing with their voices.”  They completed six sets of their throat singing, which was a little too much.  More interesting than the performance itself was observing the reactions of the people watching it.   [click to continue….]

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A universal language that we all speak is music, and we can use our bodies in many different ways to create it.  After nearly three hours at the International Body Music Festival Concert, presented as a part of Lincoln Center Out of Doors, all of the performers deliver a mind-blowing, collaborative encore which feels like it will last through the night.  Although by this point most of the audience members have already dispersed, the performers aren’t frazzled.  In fact, they make a rather admirable choice and raise their energy even more.

I knew that I was in for something special when the festival started off on a high note in Josie Robertson Plaza with the Lion Dance. I was immediately overcome with a flow of color and sound when these performers claimed their twenty minutes of fame.  [click to continue….]

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Regardless of musical inclinations, everyone is born with the potential of being a human instrument, equipped with a voice and a body.  The first music probably exploited these tools to stomp, clap, sing, snap and chant.  On August 12, at the International Body Music Festival concert, presented as a part of Lincoln Center Out of Doors, various artists from throughout “The Americas” paid homage to the roots of music.  The performances were a slamming step away from the catchy lyrics and swooning electric guitars of pop; they were deceptively simple, refreshing and culturally insightful.

Artistic director Keith Terry’s SLAMMIN All-Body Band gave groovy, soulful and relaxing renditions of Eden Ahbez’s “Nature Boy,” Outkast’s “I Like the Way (You Move)” and Stevie Wonder’s “Overjoyed.”  The balance between words and sounds was soothing: beat boxer Steve Hogan provided the beats and bounce, Destani Wolf sang with melting vocals, and Bryan Dyer strummed a groovy imaginary bass.   [click to continue….]

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Imagine a three- hour concert with no instruments at all.  If there are no instruments, what is there?  At Lincoln Center’s International Body Music Festival, the viewers were invited to find out. The objective of the night was to expose viewers to the lines where music and dance blur.  All of the acts had something in common: the human body was used to its full potential.

The first group was the throat singers Celina Kalluk and Lucie Idlout who hailed from Nunavut, Canada.  This was definitely something I had never heard before.  [click to continue….]

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The Human Beat

by Carol Szwei on August 19, 2010

in Dance,Music,TRaC

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Curious crowds of onlookers joined to circle around beautifully costumed Chinese performers.  Their white makeup complemented their bright garments.  It could have easily been a picture perfect scene from one of their all too familiar exotic parades.  The swarms of people sadly took away most of the view.  Yet entertainment mostly arose by the laughs and warm smiles coming from the troupe’s faces.  And without much trouble, their growing audience followed their blaring percussive instruments into Damrosch Park, ending the “Lion Dance”.

International Body Music Festival Concert: The Americas last Thursday,  as a part of the Lincoln Center Out of Doors Summer series, fused traditional and contemporary forms of music using only the human instrument.  There was but one question on my mind all evening.  How?  [click to continue….]

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Move for the Music

by Maeve Kerr on August 19, 2010

in Dance,Music,TRaC

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I sat looking at the platform and wondered what would be in store for me tonight.  The large, modern stage had been set up outside Lincoln Center in the Damrosch Park band shell for the International Body Music Festival.  As the evening grew steadily darker, and the rain fell more steadily, the show began.

The performance by Celina Kalluk and Lucie Idlout was like nothing I had ever heard before.  Cousins, the two women were of the Inuit tribe of Northern Canada.  They began to perform Inuit throat-singing.  They stood very close, facing each other.  [click to continue….]

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Well, I woke up this morning (August 12, 2010) and it started to rain and I got sad.  I was so excited for the High 5 program and this rain had to ruin the day.  Not knowing what I was getting ready to experience, I was so anxious.  I got to Lincoln Center and introduced myself; getting to know everyone this is such a great start.  We’re standing in front to see a lion dance, performed by the Chinese American Arts Council.  The dragons were so colorful and bright, people played drums and dressed up just having fun.  It was a celebration.  Just imagine being here to witness that– it was so beautiful. [click to continue….]

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