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Carol Szwei

Carol is 16 and a sophomore at High Tech High Shool in NJ. She loves sketching in her notebook, reading the Catcher in the Rye over and over again, alt rock music, and cheese pizza.

BAMA Theatre Company beautifully reconstructed one of Shakespeare’s most complex and dark plays. Especially after enduring the tragedy of Hamlet before my eyes, I had so many opinions and questions burgeoning inside of me. The talk-back with the cast and directors after the show was a great eye-opener to many other ideas and realizations. I am completely grateful to Chris Roe (who played Hamlet) for giving me such great insight into one of history’s most treasured characters.

The High 5 Review: How do you memorize lines, specifically for Shakespeare?

Chris Roe: Last year, with As You Like It, I would become so nervous with trying to remember the lines. That would plague me. I would pick up the script and try to read over the lines before the show because I thought that I would forget them. I just made sure that I rigorously studied the Hamlet script and that I really knew my lines. Some words would help me memorize passages more easily. Once it’s ingrained in your head, it gives you a certain rhythm. I knew that once I got my lines down perfectly I’d be free enough to evolve with my character and make new discoveries.

H5R: How did the music evolve for this version of Hamlet?

CR: The Motley Coats formulated last year with Nick (Laertes), Sarah (Guildenstern), and I. Our director had said right from the very beginning that we would not be using any instruments in this show so we were limited. Yet, it was cool how we just began making music with found objects, like with the swords. It was also great how we used Ophelia’s songs throughout the show. It was all the same music but in different forms!

H5R: Favorite Shakespearean play?

CR: My favorite’s this one. I basically have been studying this play for over 10 years. I mean I first learned about it when I was about 18 years old and especially in the last six months I’ve gained a greater understanding of it.

H5R: How long did it take to prepare for this production?

CR: It wasn’t until last February when I was asked to do this production. It really was a six month process.

H5R: How do you bounce between both of Hamlet’s facades?

CR: Well, it all had to with knowing where to go with the character and doing so in a controlled manner. It was all about hitting those points as my character and not losing my awareness. Being very specific with the choices and not rushing the emotions also helped.

H5R: How did you prepare for this role?

CR: I focused and committed to this role as much as I could. Sometimes you think you know the role but then you make a discovery about it. That was what this entire process was all about. I had even gone to a former teacher of mine to ask for advice prior to beginning work on Hamlet. I remember watching an interview of Jude Law on Charlie Rose on which he said, “You don’t play Hamlet. Hamlet plays you.” That definitely resonated.

H5R: Did you bring any of your own feelings and emotions into this role?

CR: Definitely. There is a lot of grief and sadness that is mine. I brought a lot of myself into it and I definitely committed to the character’s emotions and uncertainties.

H5R: What’s next for you?

CR: I’m looking forward to being free for the next few months! I might take some time to change places and direct. In March of next year we’ll be taking Hamlet to New Brunswick, New Jersey and that’ll be exciting. It’ll definitely be interesting to do Hamlet again with a fresh new outlook after six months.

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Fifteen dollars can get a person very far in New York City. It can pay for fifteen slices of edible cheese pizza, and it is perhaps the average cost of a general admission ticket to a museum (unless you get the 2 for $5 museum tix from High 5 :) ).  Yet, can fifteen dollars guarantee quality entertainment on a night out on the town? Yes, it definitely can. NYC’s National Comedy Theatre boasts a boatload of talent for only fifteen dollars. Located on 36th Street between 8th and 9th Avenue, this little theatre becomes the life of the party on Friday and Saturday nights. Having never gone to a live comedy show before, I was taken aback by the massive energy that the performers emitted.  It was powerful and it was fresh.

As I munched on my popcorn, I remained alert and nervous. I had chosen to sit to the left of the stage in the second row. I felt too close to the stage, too easy a target for the comedians to taunt. [click to continue…]

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The Sphinx Winx is nothing short of quality entertainment. It was not created to be a modern retelling of the story of Antony and Cleopatra. It is instead a caricature of an Egyptian romance.

Ridiculousness and absurdity resonate throughout the entire performance. There are only six actors onstage yet in the span of ninety minutes fifteen character are seen. The energy that it must take to accomplish this daunting performance task must be tremendous. [click to continue…]

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Molière, the 17th century playwright who popularized the Don Juan legend, was nothing less than a master of comedy in Western literature. Therefore, it is no surprise that the renowned Pearl Theatre Company produced The Misanthrope in their current season.

The entire show was absolutely stupendous, not for its scenery or historical references but for its pure humor and because it’s very relatable. Molière lived in a time and society that is much like ours. He was inspired by the flaws, thus exploiting them through satires and parodies perhaps. Centuries later this purpose has not been lost through various adaptations. It has been redefined but in a different culture. This why this comic play is anything but outdated. [click to continue…]

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The Human Beat

by Carol Szwei on August 19, 2010

in Dance,Music,TRaC

Curious crowds of onlookers joined to circle around beautifully costumed Chinese performers.  Their white makeup complemented their bright garments.  It could have easily been a picture perfect scene from one of their all too familiar exotic parades.  The swarms of people sadly took away most of the view.  Yet entertainment mostly arose by the laughs and warm smiles coming from the troupe’s faces.  And without much trouble, their growing audience followed their blaring percussive instruments into Damrosch Park, ending the “Lion Dance”.

International Body Music Festival Concert: The Americas last Thursday,  as a part of the Lincoln Center Out of Doors Summer series, fused traditional and contemporary forms of music using only the human instrument.  There was but one question on my mind all evening.  How?  [click to continue…]

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The Two Gentlemen of Verona

by Carol Szwei August 12, 2010 Theater

Hundreds of times it has been said that Shakespeare is not for everyone.  And how can this not be true when the playwright’s heightened language seeps into society unaltered by time.  Hundreds have also said that Shakespearean literature is just too unrelated to today’s modern world.  I beg to differ.  It’s the times that have [...]

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With Glee

by Carol Szwei July 21, 2010 Theater

Just a few steps away from the buzz and excitement of Times Square is Theatre Row’s Kirk Theatre, a newly renovated Off-Broadway stage, situated on 42nd street between 9th and 10th avenue.  Presently it has given home to John Gregor‘s musical comedy With Glee.  I attended the first preview of this delightful Prospect Theater Company [...]

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Conviction

by Carol Szwei March 9, 2010 Theater

Enclosed within 59E59 Theaters is Theater B, unpretentious and intimate in design.  Walking in you find foreign writings across the wall, an intricate device flowing on a mildly moving set.  Less than a hundred were there between Madison and Park Avenue to witness a history come alive.  We were all subjected to a magnificent true [...]

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When Scott Met Berlin

by Carol Szwei September 1, 2009 Theater

Picture two renowned men ranting on all night, attempting to oust one another, while drowning out the neighboring dissonance of “tins banging”.  Would it make a difference if these men were “Ragtime King” Scott Joplin and “The Dean of American Songwriters” Irving Berlin?  There is something about having the great masters of American music together, [...]

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