Posts by author:

Katherine Brannan-Williams

7 Fingers Production presents "Traces". Photo Credit: Michael Meseke.

There are none of the typical signs onstage at Union Square Theater indicating that a circus-type show is about to start, except for two vertical poles dead center. Replacing carnival rings and nets and clowns are everyday objects such as chairs, a piano, a wooden desk, and…a screen with my face on it? I recognize myself in surveillance footage that was taped a few minutes earlier of people entering the theater to see Traces. It is a shock to the system to realize that I was unknowingly being filmed minutes before, but it breaks the barrier between the stage and the audience and foreshadows how personal Traces will be. Then seven performers burst onto the stage unexpectantly and begin an energetic modern dance sequence with a few components of the more-daring acrobatic feats that lie ahead. Over the next 90 minutes, the performers risk their lives to impress the engaged audience, and achieve their goal of making the circus art form sophisticated and creative. [click to continue…]

{ 0 comments }

Photo of Isabella Boylston by Rosalie O'Connor.

A man in a dog costume. Another man comically gliding by on a bike. The sound of an audience laughing and cheering. You might think I was at the circus. But I wasn’t.  This was American Ballet Theater’s “The Bright Stream,” complete with cross-dressing dancers and much, much more.

This comic ballet running through June 15 at the Metropolitan Opera House in Lincoln Center is quite different from a traditional ballet like “Swan Lake” in its bold and humorous storytelling. It takes place in Northern Russia, specifically, during a harvest festival on a Soviet farm in the 1930’s. An arrival of artists and dancers stir up lighthearted drama, reunion of friendships, and lots of celebrations. In the manner of a Shakespeare comedy, the characters switch identities to reveal infidelity in marriages and simply to have fun.

It is different than what people usually think of as a ballet. [click to continue…]

{ 0 comments }

Blaring bagpipes and projections of flags immediately hit me when I walked into the theater. Four TV screens on the sides of the rectangular room showed blue and white flags flapping in the wind. These visuals foreshadowed the deep and slightly aggressive pride for Scotland that is central to the play Black Watch.

The National Theatre of Scotland’s production of Black Watch at St. Ann’s Warehouse (located in DUMBO) is about Scottish soldiers, and their views of the Iraq War. The Black Watch is the oldest regiment in Scotland. We follow 10 soldiers’ lives, from being in battle, to their downtime, and talking with their friends. We also watch the effects war has on them when they return home. [click to continue…]

{ 0 comments }

Billy Porter, Robin Weigert and Christian Borle star in Tony Kusher's epic play. Photo Credit: Richard Termine.

When you spend seven hours with someone, you feel like you get to know them pretty well, right?  This rings true with the characters of the play Angels in America.  The audience becomes attached to their stories and cares about their troubles;  however, you may not get to hear their entire story on one day.

The Signature Theatre Company’s Angels in America, brilliantly written by Tony Kushner, is split into two parts, each three and a half hours long with two intermissions.  They are performed on different days, switching off every couple of days, so one usually can’t see both parts on the same day.  You may see them a day, a week (like I did), a month or more apart from each other, but the story remains strong during the gap between viewing each part.

“Part 1:  Millennium Approaches” introduces eight interconnected people living in New York City in the mid-1980s.  [click to continue…]

{ 1 comment }

One of the great things about living in New York City is that we have the opportunity to do things that many people wouldn’t get to do anywhere else; for example, a free week-long immersion into Shakespeare run by the professionals behind Shakespeare in the Park.

This was my second summer doing Shakespeare Lab Jr., and I wondered how it would be compared to last year.  This five-day program held at the Public Theater on Lafayette Street is aimed at the same people who are part of High 5: teens (13-19) living in the five boroughs.

Last year I was put in the 8th/9th grade group, but this year I was going to be in the 10th/11th/12th grade group, and I worried it would be more intense.  It was in a different studio, and with none of the same people as last year, but some teens had done it before, as I had.

The workshop includes learning about a Shakespeare play and its characters, doing theater warm-ups/games, and focusing on sonnet writing and structure.  At the end of the week, parents are invited to a presentation. [click to continue…]

{ 0 comments }

Two Gentle[wo]men of Verona

by Katherine Brannan-Williams August 12, 2010 Theater

In a black box theater, with cubes scattered and splattered with colorful paint, a woman comes out to put her costume skirt on, but then decides to put on pants and a tie.  Little by little the whole cast comes on stage, and the men put on skirts and corsets, and the women dress in [...]

Read the full post →

Shakespeare Plays in Repertory

by Katherine Brannan-Williams July 6, 2010 Theater

Usually Shakespeare in the Park performs two plays at the Delacorte Theater in Central Park each summer:  one at the beginning and one at the end, with completely different casts.  Well, not this year.  The Winter’s Tale and The Merchant of Venice are played in repertory, meaning they both have virtually the same cast, and [...]

Read the full post →

Our Rock n’ Roll President…. Jackson?

by Katherine Brannan-Williams June 21, 2010 Theater

There is an upside-down stuffed crocodile body hanging to the right, a faux red fox on the piano on the stage, and what looks like a veiled werewolf head to the left.  Blood-red velvet curtains are draped around the walls, and chandeliers hang from various positions on the ceiling.  The stage has a strong western [...]

Read the full post →

Lenin’s Embalmers

by Katherine Brannan-Williams March 26, 2010 Theater

The unusual layout of the room immediately catches the eye.  The theater is a black box, with two adjacent sides of the room filled with seats for the audience.  The other two sides of the theater form the “V” shaped stage, although it is not really a stage because it is not raised up; it [...]

Read the full post →

MoMA’s Tim Burton Exhibition

by Katherine Brannan-Williams February 1, 2010 Film

Getting off the escalators on the third floor of the Museum of Modern Art, the difference in mood of this exhibition compared to the permanent collection is quite evident.  In front of you is a statue of a huge creature with its mouth open; to enter the Tim Burton exhibition, you walk through the jaws [...]

Read the full post →

The Great Jack O’Lantern Blaze

by Katherine Brannan-Williams November 1, 2009 Visual Arts

If you blur your eyes, you see a dark abyss, with hundreds of what looks like orange Christmas lights. In reality, it is far from Christmas charm. Every weekend in October, thousands (5,298 to be exact) of intricately hand-carvedpumpkins lit with candles are displayed in the grounds around the Historic HudsonValley’s Van Cortlandt Manor in [...]

Read the full post →

Violence in the Park

by Katherine Brannan-Williams September 12, 2009 Theater

Walking into the Shakespeare in the Park performance at the Delacorte Theatre, the vampire-esque music in the background let the audience know right from the start that the Greek play, The Bacchae by Euripides, was going to be dramatic.  A tragedy?  Yes, but also a horror story. The story centers on a government that has [...]

Read the full post →

New York City Ballet

by Katherine Brannan-Williams May 11, 2009 Dance

After raining for the past six days, and thunder storming on the afternoon of Thursday, May 7th, 2009, I was excited for two reasons. I was going to see my first ballet other than George Balanchine‘s The Nutcracker, and it had finally stopped raining just in time for me to head over to New York [...]

Read the full post →