From the category archives:

Film

What does one do with nearly 300,000 tons of deadly radioactive waste?  Finland thinks it has the answer.  In Michael Madsen’s documentary, “Into Eternity,” the Danish filmmaker examines the Finnish government’s efforts to bury its share of the world’s nuclear waste in a tunnel three miles into the earth.  After its completion in 2100, the tunnel must remain untouched for at least 100,000 years.  This intriguing and bold plan leads Madsen to raise many philosophical and technical questions throughout his film, providing a haunting take that is more poetic than scientific on a dire environmental issue.  [click to continue…]

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Visceral is the word.

The Hurt Locker is about Iraq, and about men, and about war.  It is certainly the most heralded film to emerge from the conflict.  The plot centers on William James (Jeremy Renner).  His rank: Sergeant First Class, US Army.  His addiction: taking bombs apart.  When James takes charge of a bomb-disposal squad, Bravo Company, he finds that the troops take issue with his methods.  The newly anointed head man is a renegade to the rulebook.  He seeks out fresh explosives to dismantle with a fearsome urgency, hunting them wherever they may be.  All the while, James keeps count of successful disarmaments, the number whizzing steadily upward.  Bravo Company lives in fear for unnecessary casualties on the heels of their leader’s relentless bomb-sniffing.

Director Kathryn Bigelow focuses in on the view of war espoused by writers like Chris Hedges.  Her film highlights a quote of Hedges’: “The rush of battle is often a potent and lethal addiction, for war is a drug.”  [click to continue…]

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The Basterds are merciless.

Inglourious Basterds (2009) is Quentin Tarantino’s sauerkraut Western.  Rather than the spaghetti scenery of conventional Westerns, we have WWII scenery.  A much-revised WWII.  In Tarantino’s war, the Basterds are a band of Jewish-American soldiers deep behind enemy lines.  Their leader is Lt. Aldo Raine (Brad Pitt).  Their goal: to terrorize the Nazis the same way the Nazis terrorized Europe.  Raine orders his men to scalp a hundred Nazis each.  And to relish doing so.  (They will even get a stab at Hitler.) [click to continue…]

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500 Days of Summer (2009) is as warm and tantalizing as the season that it takes its name from.  And just like the finest season, you’ll treasure it as a rose-palette recollection.  The flick mixes rapture and melancholy with a light heart. 

500 Days of Summer, directed by Marc Webb, features Tom Hansen (Joseph Gordon-Levitt) recounting his five-hundred-day relationship with the wonderfully whimsical Summer Finn (Zooey Deschanel).  The film opens with a narrator’s voice-over:  “This is a story of boy meets girl.  But you should know upfront, this is not a love story.”  No, Tom and Summer are not dating.  They do everything that couples do, but a couple they are not.  Their conflict is a matter of perception – and Webb’s movie is about perception.  Men and women simply see the same things differently.  [click to continue…]

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MoMA’s Tim Burton Exhibition

by Katherine Brannan-Williams February 1, 2010 Arts Coverage

Getting off the escalators on the third floor of the Museum of Modern Art, the difference in mood of this exhibition compared to the permanent collection is quite evident.  In front of you is a statue of a huge creature with its mouth open; to enter the Tim Burton exhibition, you walk through the jaws [...]

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Minnesota Nice

by Gavin Huang December 16, 2009 Arts Coverage

There’s nothing wrong with murder, ya know.  Especially if you’re going to get some money out of it. Fargo is a modern classic.  It was nominated for seven Oscars in 1997, and won two.  It’s been on almost every top ten list, from AFI to Roger Ebert’s.  It is a comedy and a neo-noir at [...]

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Unearthing Anvil

by Danny Ovryn November 12, 2009 Arts Coverage

I was building a guitar in my basement fairly late on Friday night, listening to Q104.3′s Eddie Trunk Show, which features metal music instead of the classic rock normally played on Q104.3.  I generally do not listen to metal except for the occasional Iron Maiden and Black Sabbath, unless one counts Zeppelin and Deep Purple [...]

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Revisiting A Classic: The Godfather

by George Rosa August 5, 2009 Arts Coverage

The first time I saw The Godfather, I didn’t know why it was so great. That’s not to say I didn’t appreciate the film or didn’t comprehend the artistic depth this cinematic masterpiece delivered. It just left me puzzled, perplexed, as to what exactly drew me in so deeply. Upon viewing it a second time [...]

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