From the category archives:

Dance

"Radio and Juliet" choreographed by Edward Clug. Photo Credit: Ballet Maribor.

Huge stage.  The lights turn off, and a huge screen transforms the stage. Video, that’s what the show begins with. Juliet is lying on a bed in an all white room as she opens her eyes. She walks to another room to sit and peer at raindrops as they slump against the windowpane. A mountain of thought appears to confound her.

As the video comes closer to an end, miniature figures, the dancers of Ballet Maribor, begin to walk out on the stage at the Skirball Center. They travel through a stripe of bright light then immediately vanish into darkness. The beating sound of the rock band Radiohead breaks out from the speakers and suddenly we notice six figures standing ready to dance. [click to continue…]

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Alvin Ailey. Photo Credit: John Lindquist.

What is dance without any feeling?  The Alvin Ailey American Dance Theater shares not only masterful technique, they share bursting emotions at City Center. Night Creature, choreographed by Alvin Ailey, is a sizzling jazz dance. The dancers reveal the realm of the night with their sharp jazz moves and slow-stepping formations. The experience is breath taking. [click to continue…]

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Bellet Maribor performing "Radio and Juliet. Photo Credit: Karli Cadel.

I bet William Shakespeare never would’ve imagined in his wildest dreams that his classic character, Romeo, would be replaced by the music of  an English alternative rock band called Radiohead.

Radiohead and Juliet performed by the Slovenian Company, Ballet Maribor, takes the classic love story  Romeo and Juliet  to a whole new level.  [click to continue…]

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symphony for the dance floor

Symphony for the Dance Floor by Daniel Bernard Roumain. Photo Credit: Ruby Washington.

This past October, a great show took place at the BAM Harvey Theater.  Having never been to this theater, I didn’t know what to expect.  But I left feeling as though if I were to have any expectations for this hip-hop dance infused piece accompanied by unique violin elements, they would be exceeded.

The impressive lighting created an atmosphere while setting a mood and stage for the dancers as they moved graciously to the plucked and bowed sounds that drifted from the violin.  The dancers were well choreographed, not falling into each other or pacing around the stage aimlessly.  [click to continue…]

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Martha Graham. Photo Credit: Yousuf Karsh.

The reconstruction

Of the circus soul has come

The magic begins….. [click to continue…]

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Martha Graham. Photo Credit: Barbara Morgan.

“Fast forward, rewind, pause, hit that position…NO, wait, go back a little tiny bit, more, THERE, okay…STOP!” The Martha Graham dancers, busily rehearsing, acknowledge a single TV set with eyes furrowed in concentration. They are attempting to bring to life Graham’s Every Soul is a Circus, 47 years after it was created.  How can this older choreography be seen as fresh and modern today? Blakeley White-McGuire, who will take on Graham’s original role, shares how she manages: “Well I approach the choreography from the characters viewpoint [asking], what are her emotions, her intentions…?” [click to continue…]

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Matjaz Marin and Tijuana Krizman in "Radio and Juliet." Photo Credit: Julieta Cervantes.

Edward Clug, choreographer and avid Radiohead fan, did a wonderful job with his 2005 creation for Ballet Maribor, Radio and Juliet.  The performance at the Jack H. Skirball Center for the Performing Arts was set to the music of Radiohead, an English alternative rock band formed in 1985. This is a very odd choice for a ballet, especially one telling the story of Romeo and Juliet. A ballet is usually set to classical music like that of composers like Tchaikovsky and Prokofiev, who composed for earlier versions of Romeo and Juliet. [click to continue…]

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A Shared Evening at Danspace Project

by Sydney Harris January 19, 2012 Dance

I recently saw a contemporary dance performance in St. Mark’s Church-In-The-Bowery.  There were two parts; the first called “I’m Not Coming Back“. The lights went out, making the scene ominous.  A little girl was revealed to be crouching in the middle of the floor when the spotlight illuminated her. The music came on, surreal and [...]

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A Visit to the Martha Graham Studios

by Liza Papageorgiou January 11, 2012 Dance

Lights, camera, DANCE ACTION! You would think that show business was as easy as those three words.  I know what these dancers do looks very easy, but in reality it is extremely difficult. During the first couple of weeks with the Teen Reviewers and Critics Dance Program I saw many performances, but it was a [...]

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The Thank You Bar: “No, Thank You!”

by Diana Ryzhova January 4, 2012 Dance

Imagine a pitch-black basement, with a lamp emitting just enough light for you to see the outline of your hands. Now…listen. Listen to the beeping sound, faint in the distance. Listen to the footsteps traveling offstage. Listen to the acoustic guitar, one string then two strings plucked. Again, footsteps. Listen to the harmonious double vibration [...]

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Alvin Ailey’s Classic: Revelations

by Shaina McGregor January 4, 2012 Dance

Imagine a performance that fuses ballet, hip-hop and classic modern dance. Imagine an event where a 51-year-old piece of choreography is in the same program as a world premiere and the performances are so spectacular and fresh you have no idea which piece is older. When part of an Alvin Ailey American Dance Theater experience, you [...]

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FALL AND RECOVER at La Mama

by Anastasiya Borys November 29, 2011 Dance

[Torture] v. to punish or coerce by inflicting excruciating pain. (Merriam-Webster Dictionary) The floor to the entrance of La Mama for the “Fall and Recover” dance is different when you exit. There are outlines of bodies stretching across the floor that look like the outlines you see in criminal investigations. The scene comes of as [...]

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Richard Move as Martha Graham

by Catherine Bravo August 9, 2011 Dance

Richard Move as Martha; “I’m sorry, I don’t think I answered the question…” 1963 allegedly marks one of the most concentrated years of Martha Graham’s alcoholism. Well, at the Walter Terry interview, was she drunk? It seems that she may have missed answering a question or two, but whatever the case might be, Martha Graham [...]

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