<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>THE HIGH 5 REVIEW</title>
	<atom:link href="http://www.high5review.org/feed" rel="self" type="application/rss+xml" />
	<link>http://www.high5review.org</link>
	<description>NYC arts coverage by the HIGH 5 REVIEW Freelancer Corps and the Teen Reviewers and Critics program</description>
	<lastBuildDate>Thu, 17 May 2012 18:52:30 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>Merchant of Venice</title>
		<link>http://www.high5review.org/archives/4438</link>
		<comments>http://www.high5review.org/archives/4438#comments</comments>
		<pubDate>Wed, 16 May 2012 20:57:05 +0000</pubDate>
		<dc:creator>Carina Clores</dc:creator>
				<category><![CDATA[Teen Reviews]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[TRaC]]></category>
		<category><![CDATA[The Merchant of Venice]]></category>
		<category><![CDATA[Theater breaking through barriers]]></category>

		<guid isPermaLink="false">http://www.high5review.org/?p=4438</guid>
		<description><![CDATA[Interpretation is the sincerest form of flattery. Any William Shakespeare work can attest to that. From the earliest performance to the most current production, Shakespeare’s plays have been the outlines of beautiful caricatures that avid crayon-holders have colored. Theatre Breaking Through Barrier’s production of Merchant of Venice takes their 64-pack and colors outside the lines. [...]]]></description>
		<wfw:commentRss>http://www.high5review.org/archives/4438/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Neo-Futurist explore the “Hero’s Journey”</title>
		<link>http://www.high5review.org/archives/4383</link>
		<comments>http://www.high5review.org/archives/4383#comments</comments>
		<pubDate>Wed, 16 May 2012 20:41:12 +0000</pubDate>
		<dc:creator>Shanice Brette</dc:creator>
				<category><![CDATA[Teen Reviews]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[TRaC]]></category>
		<category><![CDATA[HERE Arts Center]]></category>
		<category><![CDATA[New York Neo-Futurists]]></category>
		<category><![CDATA[You Are in an Open Field]]></category>

		<guid isPermaLink="false">http://www.high5review.org/?p=4383</guid>
		<description><![CDATA[The New York Neo-Futurists brings the viewer an interactive experience, in their usual style, through a dance performance called You Are In An Open Field at the HERE Arts Center. The stage is unusually video-gamed themed; upon the audience’s entrance, a computerized voice does several repetitions of the show’s title, “you are in an open field.” [...]]]></description>
		<wfw:commentRss>http://www.high5review.org/archives/4383/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>PINA: a documentary by Wim Wenders</title>
		<link>http://www.high5review.org/archives/4429</link>
		<comments>http://www.high5review.org/archives/4429#comments</comments>
		<pubDate>Wed, 16 May 2012 20:37:40 +0000</pubDate>
		<dc:creator>Nia Nelson</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Teen Reviews]]></category>
		<category><![CDATA[TRaC]]></category>
		<category><![CDATA[Brooklyn Academy of Music (BAM)]]></category>
		<category><![CDATA[PINA]]></category>
		<category><![CDATA[Pina Bausch]]></category>
		<category><![CDATA[Wim Wenders]]></category>

		<guid isPermaLink="false">http://www.high5review.org/?p=4429</guid>
		<description><![CDATA[Wim Wenders&#8217; PINA, showed at the Brooklyn Academy of Music, is a beautifully directed and edited documentary.  So much is revealed , clearly and vividly, without much dialogue. We learn that Pina Bausch had a deep sense of humanity. She understood people and emotions. We experience sadness, longing, anger, love, struggle, fear and loss throughout the film. Bausch was intent on getting the point across that [...]]]></description>
		<wfw:commentRss>http://www.high5review.org/archives/4429/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>NYC Premiere of Shakespeare High</title>
		<link>http://www.high5review.org/archives/4422</link>
		<comments>http://www.high5review.org/archives/4422#comments</comments>
		<pubDate>Wed, 16 May 2012 20:16:13 +0000</pubDate>
		<dc:creator>Devan Manning</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Teen Reviews]]></category>
		<category><![CDATA[TRaC]]></category>
		<category><![CDATA[Alex Rotaru]]></category>
		<category><![CDATA[Film Society of Lincoln Center]]></category>
		<category><![CDATA[Shakespeare High]]></category>

		<guid isPermaLink="false">http://www.high5review.org/?p=4422</guid>
		<description><![CDATA[Going to the Film Society of Lincoln Center was a good idea to start off our first film in Film TRaC. I wasn’t sure what we were going to watch but I was very interested in going anyway. When I heard about the film we were watching I was actually very excited in seeing it [...]]]></description>
		<wfw:commentRss>http://www.high5review.org/archives/4422/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Editing with Jennifer Ruff at NYU&#8217;s Tisch</title>
		<link>http://www.high5review.org/archives/4393</link>
		<comments>http://www.high5review.org/archives/4393#comments</comments>
		<pubDate>Wed, 16 May 2012 19:56:33 +0000</pubDate>
		<dc:creator>Nathaniel Vera</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[TRaC]]></category>
		<category><![CDATA[Jennifer Ruff]]></category>
		<category><![CDATA[NYU Tisch]]></category>

		<guid isPermaLink="false">http://www.high5review.org/?p=4393</guid>
		<description><![CDATA[Irritated, lost and matted by a tired, cold sweat, I arrived at the Tisch School of the Arts at NYU not fully knowing what to expect. Of all of the intricacies and nuances of film, I had never for more than a few minutes considered the significance of film editing, and how it could so [...]]]></description>
		<wfw:commentRss>http://www.high5review.org/archives/4393/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Reggie Wilson’s theRevisitation</title>
		<link>http://www.high5review.org/archives/4405</link>
		<comments>http://www.high5review.org/archives/4405#comments</comments>
		<pubDate>Wed, 16 May 2012 19:52:11 +0000</pubDate>
		<dc:creator>Lucy Tan</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Teen Reviews]]></category>
		<category><![CDATA[TRaC]]></category>
		<category><![CDATA[Lawrence Harding]]></category>
		<category><![CDATA[Reggie Wilson]]></category>
		<category><![CDATA[Rhetta Aleong]]></category>
		<category><![CDATA[theRevisitation]]></category>

		<guid isPermaLink="false">http://www.high5review.org/?p=4405</guid>
		<description><![CDATA[In simple black clothes (button-down shirts and loose-fitting pants), performers Rhetta Aleong, Lawrence Harding and Reggie Wilson step barefoot across the stage to sit in a crescent of three seats facing the audience to begin what would be a hypnotizing yet revelatory roller coaster of performances. African-American performer and choreographer Reggie Wilson presents theRevisitation, which showcases a variety of [...]]]></description>
		<wfw:commentRss>http://www.high5review.org/archives/4405/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Wandering through the International Center of Photography</title>
		<link>http://www.high5review.org/archives/4354</link>
		<comments>http://www.high5review.org/archives/4354#comments</comments>
		<pubDate>Wed, 16 May 2012 18:42:13 +0000</pubDate>
		<dc:creator>Eve Blane</dc:creator>
				<category><![CDATA[Teen Reviews]]></category>
		<category><![CDATA[TRaC]]></category>
		<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[Anna Shteynshleyger]]></category>
		<category><![CDATA[Grey Villet]]></category>
		<category><![CDATA[International Center of Photography]]></category>

		<guid isPermaLink="false">http://www.high5review.org/?p=4354</guid>
		<description><![CDATA[At the International Center of Photography there were three photographs in particular that made an impact on me. Two of the photographs were taken by Anna Shteynshleyger and the other one was taken by Grey Villet. The first picture named Covered by Shteynshleyger looked plain until you took a closer look. A girl stood in front of [...]]]></description>
		<wfw:commentRss>http://www.high5review.org/archives/4354/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Batsheva Dance Company at BAM</title>
		<link>http://www.high5review.org/archives/4347</link>
		<comments>http://www.high5review.org/archives/4347#comments</comments>
		<pubDate>Wed, 16 May 2012 18:20:08 +0000</pubDate>
		<dc:creator>Tiffany Soler</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Teen Reviews]]></category>
		<category><![CDATA[TRaC]]></category>
		<category><![CDATA[BAM Howard Gilman Opera House]]></category>
		<category><![CDATA[Batsheva Dance Company]]></category>
		<category><![CDATA[Hora]]></category>

		<guid isPermaLink="false">http://www.high5review.org/?p=4347</guid>
		<description><![CDATA[Recently the Batsheva Dance Company performed at Hora at the BAM in the Howard Gilman Opera House. As I entered the theater I could not help but think of how big it was, with eclectic art styles and modern sound and lighting, seating about 2,000 people in different levels including the balconies. The lights turned off [...]]]></description>
		<wfw:commentRss>http://www.high5review.org/archives/4347/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>2012 Whitney Biennial</title>
		<link>http://www.high5review.org/archives/4338</link>
		<comments>http://www.high5review.org/archives/4338#comments</comments>
		<pubDate>Wed, 16 May 2012 18:08:26 +0000</pubDate>
		<dc:creator>Lu Yi Wu</dc:creator>
				<category><![CDATA[Teen Reviews]]></category>
		<category><![CDATA[TRaC]]></category>
		<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[Dawn Casper]]></category>
		<category><![CDATA[Nicole Eisenman]]></category>
		<category><![CDATA[Sam Lewitt]]></category>
		<category><![CDATA[Werner Herzog]]></category>
		<category><![CDATA[Whitney Biennial 2012]]></category>
		<category><![CDATA[Whitney Museum of American Art]]></category>

		<guid isPermaLink="false">http://www.high5review.org/?p=4338</guid>
		<description><![CDATA[Like the New Museum’s “Ungovernables” triennial, the Whitney Museum of American Art&#8217;s 2012 Whitney Biennial, comprising of work by 51 artists, serves as a platform for artists to showcase a diverse range of art. While standard genres of sculpture, painting, installations, and photography are featured on the second and third floors, dance, theater, music, and film [...]]]></description>
		<wfw:commentRss>http://www.high5review.org/archives/4338/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>This Side of Paradise</title>
		<link>http://www.high5review.org/archives/4331</link>
		<comments>http://www.high5review.org/archives/4331#comments</comments>
		<pubDate>Wed, 16 May 2012 17:51:04 +0000</pubDate>
		<dc:creator>Dylan Namm</dc:creator>
				<category><![CDATA[Teen Reviews]]></category>
		<category><![CDATA[TRaC]]></category>
		<category><![CDATA[Visual Arts]]></category>
		<category><![CDATA[Andrew Freeman Home]]></category>
		<category><![CDATA[No Longer Empty]]></category>
		<category><![CDATA[This Side of Paradise]]></category>

		<guid isPermaLink="false">http://www.high5review.org/?p=4331</guid>
		<description><![CDATA[I have to admit, I felt mildly reluctant to shlepp myself all the way to the Bronx on Saturday. But once I got myself to No Longer Empty&#8216;s new exhibit, This Side of Paradise, my qualms of the hour long subway ride became an irrational past emotion. No Longer Empty is an organization that creates [...]]]></description>
		<wfw:commentRss>http://www.high5review.org/archives/4331/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

