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The Guggenheim Museum

http://www.wassilykandinsky.net/images/works/49.jpg

Wassily Kandinsky. Several Circles. 1926. Oil on canvas. 140 x 140 cm. The Solomon R. Guggebheim Museum, New York, NY, USA.

Circe circle, dot dot.  This is what Kandinsky‘s…not.  While this particular rap lyric is true to the shapes that the Russian artist would explore later on in his career, those circles can’t be summarized in so many words.  No, the circumference of each round shape was deliberate, its placement on the canvas was planned and the color transparency was carefully pondered by Wassily.  He started from a point -  a desire to raise art to the level of music – and expanded it outward, into a whorl of tints, tones and thrilling compositions.  Perhaps, Euclid’s definition of a point could be applied to Kandinsky’s beginning: “A point is that which has no part.”  Kandinsky took that bottomless point and gave it a part while setting it apart – the point became a site for the compass tip, from which the circle could be drawn. [click to continue…]

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Modernity…whether you like it or not, it’s in. In today’s day and age people want to see innovative and experimental artwork. Some like brand new and modern, some like traditional with a twist.

Recently, I went to the Guggenheim Museum and the Museum of Modern Art otherwise known as MOMA. Both buildings are modern and clean cut, but they are extremely different. You know what they say, “First impressions are everything,” so before I even entered the buildings my impressions of both went different directions. [click to continue…]

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One conductor.   Two levels.  Three sections. Eighty-eight trombones.

Torrential showers could not thwart determined music appreciators from experiencing Orbits (1979) at the Guggenheim on Sunday, June 21st. The epic piece was composed by Pulitzer-Prize-winning Henry Brant and featured an organist (William Trafka), a soprano singer (Phyllis Bruce), and eighty individual parts for eighty-eight trombones. Sponsored by Make Music New York, the concert was free to all who dared to willingly be in a room with such an absurd number of noisy lower brass instruments — a surprisingly large group of audacious audience attendees (The entrance line went around 5th Ave., down 89th street, and continued down Madison Ave). [click to continue…]

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